Aquí presento una lista de cien obras de arte que considero relevantes. No son exactamente mis obras favoritas, sino más bien aquellas que me han inspirado o que encajan con el espíritu del proyecto. En este caso me he decantado por los óleos sobre lienzo del siglo XIX, aunque también se encuentran otro tipo de obras más recientes. Si desea indagar más sobre la historia del arte recuerde que puede visitar mis otros proyectos culturales y artísticos.
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| John William Waterhouse (1849–1917), The Lady of Shalott, 1888 | Jeno Gyárfás (1857–1925), The Ordeal of the Bier [Tetemrehívás], 1881 | Joseph Mallord William Turner (1775–1851), Fishermen at Sea, 1796 | Jean-François Millet (1814–1875), L’Angélus (The Angelus), 1857-1859 |
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| Léon Spilliaert, Self-Portrait, 1908 | Mirko Rački (1879–1982), Grad Dis, 1906 | Sandro Botticelli (1445–1510), Alegoría de la primavera, c.1478 | Odd Nerdrum (b.1944), Drifting |
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| Alfred Kubin (1877–1959), Der Sumpf (The Swamp), c.1905 | Arnold Böcklin (1827–1901), Die Toteninsel III, 1883 | Arthur Hughes (1832–1915), He is Risen, 1896 | Gabriel von Max (1840–1915), Der Anatom, 1869 |
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| Josef Mandl (1874–1933), Ghost, 1898 | Sergei Nikolaevich Andriyaka (1958–2024), New Year’s Night, 1984 | José Benlliure y Gil (1855–1937), La visión del Coloseo. El último mártir, 1885 | Ivan Nikolayevich Kramskoi (1837–1887), Mermaids, 1871 |
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| Edvard Munch (1863–1944), Vampyr (Vampire), c.1894 | Hilma af Klint (1862–1944), The Swan, N.13 (Grupo IX-SUW), 1915 | John Atkinson Grimshaw (1836–1893), Glasgow docks | Frantisek Kupka (1871–1957), The Black Idol, 1903 |
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| Horace Vernet (1789–1863), La Ballade de Lénore, 1839 | Konstantin Yegorovich Makovsky (1839–1915), Mermaids, 1879 | Karl Wilhelm Diefenbach (1851–1913), The fairy dance, 1895 | Emil Nolde (1867–1956), Dark red sea, c.1938 |
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| Ivan Konstantinovich Aivazovsky (1817–1900), Odessa in Moon light (Вид Одессы в лунную ночь), 1846 | John Martin (1789–1854), Pandemonium, 1841 | Johann Heinrich Füssli (1741–1825), The Nightmare, 1781 | James Abbott McNeill Whistler (1834–1903), Nocturne, c.1877 |
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| Jean-Baptiste Camille Corot (1796–1875), Orphée ramenant Eurydice des enfers, 1861 | John Everett Millais (1829–1896), Ophelia, c.1852 | John Maler Collier (1850–1934), Lady Godiva, 1898 | Johan August Malmström (1829–1901), Älvalek (Dancing Fairies), 1866 |
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| Adolf Hirémy-Hirschl (1860–1933), Souls on the Banks of the Acheron (Die Seelen am Acheron), 1898 | Carl Gustav Carus (1789–1869), Stone age stronghold at Nobbin, Rugen Island, c.1820 | Herbert James Draper (1863–1920), Ulysses and the sirens, c.1909 | Edward Hopper (1882–1967), Nighthawks, 1942 |
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| Peter Birkhäuser (1911–1976), Puer, 1960 | Remedios Varo (1908–1963), Creación de las aves, 1957 | Leonora Carrington (1917–2011), The labyrinth, 1991 | Louis Cattiaux (1904–1953), La forêt philosophique, c.1942 |
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| Lawrence Alma-Tadema (1836–1912), The Women of Amphissa, 1887 | Henrietta Rae (1859–1928), Hylas and the water nymphs, c.1909 | John William Godward (1861–1922), When the heart is young, 1902 | Alexandre Cabanel (1823–1889), Phèdre, 1880 |
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| Thomas Cole (1801–1848), Expulsion. Moon and Firelight, c.1828 | William Blake (1757–1827), Pity, c.1795 | Austin Osman Spare (1888–1956), The New Eden, 1922 | Caspar David Friedrich (1774–1840), Der Mönch am Meer (The Monk by the Sea), 1810 |
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| Vincent van Gogh (1853–1890), The Starry Night (De Sterrennacht), 1889 | Mikhail Vrubel (1856-1910), Demon (sitting) [Демон (сидящий)], 1890 | Jan Toorop (1858-1928), The Vagabonds, 1891 | Frank Frazetta (1928–2010), Cat girl, 1967 |
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| Alfred Edward Borthwick (1871–1955), The Presence, 1932 | Ferdinand Keller (1842–1922), Lady Absinth, 1901 | Salomon Koninck (1609–1656), Philosopher with an Open Book, 1645 | Hugo Simberg (1873–1917), The Garden of Death (Kuoleman puutarha), 1896 |
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| Nikolai Nikolaevich Ge (1831–1894), Conscience, Judas, 1891 | Childe Hassam (1859–1935), The goldfish window, 1916 | Friedrich Wilhelm Theodor Heyser (1857–1921), Ophelia | Maximilian Pirner (1854–1924), The end of all things, Finis, 1887 |
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| Lawrence Koe (1869–1913), Venus and Tannhauser, c.1896 | Egon Schiele (1890–1918), Death and the Maiden (Der Tod und das Mädchen), 1915 | Tobias Edward Rosenthal (1848–1917), Elaine, 1874 | Harald Oskar Sohlberg (1869–1935), Midsummer Night, c.1910 |
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| Jakub Schikaneder (1855–1924), Mrtvá dívka (Dead girl), 1910 | Zdzisław Beksiński (1929–2005) | Rembrandt (1606–1669), Pallas Athena, c.1655 | Leopold Schmutzler (1864–1940), Flamenco Dancer |
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| Vilhelm Hammershøi (1864–1916), Interior, No. 30 Strandgade (Interiør, Strandgade 30), 1906 | Gustave Moreau (1826–1898), Hercules and the lernaean hydra, 1876 | Viktor Mikhaylovich Vasnetsov (1848–1926), Ivan Zarevitch on the grey Wolf (Vasnetsov), 1889 | Hermann Eschke (1823–1900), Leuchtturm auf der Klippe bei Mondschein (Lighthouse on a cliff by moonlight) 1879 |
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| Gustave Doré (1832–1883), Paradise Lost, Book I (By place or choice the worthiest; they anon), 1873 | Luis Ricardo Falero (1851–1896), El sueño de Fausto o brujas yendo al Sabbat, 1878 | Thomas Lawrence (1769–1830), Satan Summoning His Legions, 1797 | Félicien Rops (1833–1898), Parodie humaine, 1878–1881 |
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| Edmund Blair Leighton (1853–1922), The Accolade, 1901 | Odilon Redon (1840–1916), Apparition, c.1910 | Fernand Khnopff (1858–1921), After Flaubert. The Temptation of St. Anthony, 1883 | Bela Čikoš Sesija (1864–1931), Pietà, 1897 |
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| Benjamin–Constant (1845–1902), Theodora, 1887 | Ernest Hébert (1817–1908), Ophélie, 1876 | Jean Delville (1867–1953), L’Idole de la perversité, 1891 | Ivan Nikolayevich Kramskoi (1837–1887), The Sleepwalker, 1871 |
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| Sascha Schneider (1870–1927), Hypnose (Hypnosis), 1904 | Kees van Dongen (1877–1968), La dame en noir, 1924 | Franz von Stuck (1863–1928), Luzifer, c.1890 | Takato Yamamoto (b.1960), Confusing and Drowning Flux of Blood |
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| Franz von Lenbach (1836–1904), Voluptas, 1897 | Adolphe-William Bouguereau (1825–1905), Boucles D’oreilles, 1891 | Ferdinand Knab (1837–1902), Mondnacht, 1864 | Antoine-Jean Gros (1771–1835), Sapho à Leucate, 1801 |
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| Phillip Leslie Hale (1865–1931), La Donna | Georg Emil Libert (1820–1908), Ruin i måneskin, 1901 | Arthur Hacker (1858–1919), Vale (Farewell), 1913 | Georges William Thornley (1857–1935), Moonlit harbor scene |
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| Maria Peter-Reininghaus (1883–1934), Contemplation (Rozjímanie), c.1912 | Rowland Wheelwright (1870–1955), Enid and Geraint, 1907 | Hermann Hendrich (1854–1931), Magic Light, c.1892 | Andrew Newell Wyeth (1917–2009), Christina Olson, 1947 |