Estas son algunas de mis pinturas favoritas o aquellas que me inspiran en mis creaciones literarias. No son las únicas, pero sí conforman una lista inicial de cuadros recomendados para aquellos interesados en el arte decimonónico. Puede encontrar más obras en Espíritu del arte (Blog en WordPress) incluyendo el portfolio adjunto que hay en él.
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| John William Waterhouse (1849–1917), The Lady of Shalott, 1888 | Jeno Gyárfás (1857–1925), The Ordeal of the Bier [Tetemrehívás], 1881 | Joseph Mallord William Turner (1775–1851), Fishermen at Sea, 1796 | Jean-François Millet (1814–1875), L’Angélus (The Angelus), 1857-1859 |
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| Léon Spilliaert, Self-Portrait, 1908 | Mirko Rački (1879–1982), Grad Dis, 1906 | Sandro Botticelli (1445–1510), Alegoría de la primavera, c.1478 | Odd Nerdrum (b.1944), Drifting |
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| Alfred Kubin (1877–1959), Der Sumpf (The Swamp), c.1905 | Arnold Böcklin (1827–1901), Die Toteninsel III, 1883 | Arthur Hughes (1832–1915), He is Risen, 1896 | Gabriel von Max (1840–1915), Der Anatom, 1869 |
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| Benjamin–Constant (1845–1902), Theodora, 1887 | Ernest Hébert (1817–1908), Ophélie, 1876 | Jean Delville (1867–1953), L’Idole de la perversité, 1891 | Ivan Nikolayevich Kramskoi (1837–1887), The Sleepwalker, 1871 |
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| Horace Vernet (1789–1863), La Ballade de Lénore, 1839 | Konstantin Yegorovich Makovsky (1839–1915), Mermaids, 1879 | Karl Wilhelm Diefenbach (1851–1913), The fairy dance, 1895 | Emil Nolde (1867–1956), Dark red sea, c.1938 |
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| Ivan Konstantinovich Aivazovsky (1817–1900), Odessa in Moon light (Вид Одессы в лунную ночь), 1846 | John Martin (1789–1854), Pandemonium, 1841 | Johann Heinrich Füssli (1741–1825), The Nightmare, 1781 | James Abbott McNeill Whistler (1834–1903), Nocturne, c.1877 |
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| Jean-Baptiste Camille Corot (1796–1875), Orphée ramenant Eurydice des enfers, 1861 | John Everett Millais (1829–1896), Ophelia, c.1852 | John Maler Collier (1850–1934), Lady Godiva, 1898 | Johan August Malmström (1829–1901), Älvalek (Dancing Fairies), 1866 |
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| Jakub Schikaneder (1855–1924), Mrtvá dívka (Dead girl), 1910 | Zdzisław Beksiński (1929–2005) | Rembrandt (1606–1669), Pallas Athena, c.1655 | Leopold Schmutzler (1864–1940), Flamenco Dancer |
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| Adolf Hirémy-Hirschl (1860–1933), Souls on the Banks of the Acheron (Die Seelen am Acheron), 1898 | Carl Gustav Carus (1789–1869), Stone age stronghold at Nobbin, Rugen Island, c.1820 | Herbert James Draper (1863–1920), Ulysses and the sirens, c.1909 | Edward Hopper (1882–1967), Nighthawks, 1942 |
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| Edvard Munch (1863–1944), Vampyr (Vampire), c.1894 | Hilma af Klint (1862–1944), The Swan, N.13 (Grupo IX-SUW), 1915 | John Atkinson Grimshaw (1836–1893), Glasgow docks | Frantisek Kupka (1871–1957), The Black Idol, 1903 |
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| Peter Birkhäuser (1911–1976), Puer, 1960 | Remedios Varo (1908–1963), Creación de las aves, 1957 | Leonora Carrington (1917–2011), The labyrinth, 1991 | Louis Cattiaux (1904–1953), La forêt philosophique, c.1942 |
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| Gustave Doré (1832–1883), Paradise Lost, Book I (By place or choice the worthiest; they anon), 1873 | Luis Ricardo Falero (1851–1896), El sueño de Fausto o brujas yendo al Sabbat, 1878 | Thomas Lawrence (1769–1830), Satan Summoning His Legions, 1797 | Félicien Rops (1833-1898), Parodie humaine, 1878-1881 |
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| Lawrence Alma-Tadema (1836–1912), The Women of Amphissa, 1887 | Henrietta Rae (1859–1928), Hylas and the water nymphs, c.1909 | John William Godward (1861–1922), When the heart is young, 1902 | Alexandre Cabanel (1823–1889), Phèdre, 1880 |
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| Thomas Cole (1801–1848), Expulsion. Moon and Firelight, c.1828 | William Blake (1757–1827), Pity, c.1795 | Austin Osman Spare (1888–1956), The New Eden, 1922 | Caspar David Friedrich (1774–1840), Der Mönch am Meer (The Monk by the Sea), 1810 |
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| Vilhelm Hammershøi (1864–1916), Interior, No. 30 Strandgade (Interiør, Strandgade 30), 1906 | Gustave Moreau (1826–1898), Hercules and the lernaean hydra, 1876 | Viktor Mikhaylovich Vasnetsov (1848–1926), Ivan Zarevitch on the grey Wolf (Vasnetsov), 1889 | Hermann Eschke (1823–1900), Leuchtturm auf der Klippe bei Mondschein (Lighthouse on a cliff by moonlight) 1879 |
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| Edmund Blair Leighton (1853–1922), The Accolade, 1901 | Odilon Redon (1840–1916), Apparition, c.1910 | Fernand Khnopff (1858–1921), After Flaubert. The Temptation of St. Anthony, 1883 | Bela Čikoš Sesija (1864–1931), Pietà, 1897 |
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| Sascha Schneider (1870–1927), Hypnose (Hypnosis), 1904 | Kees van Dongen (1877–1968), La dame en noir, 1924 | Franz von Stuck (1863–1928), Luzifer, c.1890 | Takato Yamamoto (b.1960), Confusing and Drowning Flux of Blood |